The on-stage graphics are trippy and colourful, with plenty of flowers and peace signs. Ringo once called an early solo album “Sentimental Journey,” but he doesn’t take fans on one in 2022. There are no film clips of The Beatles at a Ringo show, or even still photos projected on screens. He also points out that two guys named Lennon and McCartney share a songwriting credit with him on “What Goes On.” He barely references his former Beatles band mates, sneaking a “Hare Krishna” salute into “It Don’t Come Easy” - his way of acknowledging that George Harrison wrote much of that song. Blood transfusions? Whatever he’s doing, I want some. Just the same, enough with that song.ĭuring the concert, Ringo does duck out for about 20 minutes, skipping “Frankenstein” and one or two other songs. I’d cut one other song and this will not please Ringo’s die-hard fans: “Yellow Submarine.” Yes, we know all the words. On the other hand, Colin Hay - who turns 69 next month - can still hit every note on “Who Can It Be Now,” and “Down Under.”Įdgar Winter: gotta admit, he is the hardest-working man in show-business It is fun for about 30 seconds, but it also draws attention to the band’s vocal limitations. Winters’ freaky musical dexterity is astounding, but this is a lot to ask a 75-year-old to sustain through 22 road shows over the next few months.Īnother trim I’d make: cut “Cut the Cake,” from Stuart’s Average White Band’s repetoire. He also plays sax and drums on the number. (To be fair, it’s taking me twice as long to review this than it used to.) As a result, the All-Starr set list includes a few mainly instrumental numbers, including Winters’ “Frankenstein.” This is where the lanky Texan straps half a piano around his neck, and lurches all over the stage while making the instrument wail. At 62, Bissonette is the kid in the group.Ī few, to be frank, are no longer at their vocal peak. Both have played with Ringo on past All-Starr bands. A few of them are still rocking in their seventies, including Winter, at 75 and Stuart at 72. Ringo, therefore, has plenty of help from his friends. This edition of Ringo’s “All-Starrs” includes musicians from several hit bands, including Toto guitarist Steve Lukather, Men at Work frontman Colin Hay, Toto multi-instrumentalist Warren Ham, acclaimed session drummer Gregg Bissonette, Average White Band bassist Hamish Stuart and white-haired rock god Edgar Winter. One song he could drop: “Boys.” Why was Ringo ever singing about boys? It doesn’t make any more sense in his eighties. The Fab drummer worked a few of his lesser-known solos into this new repertoire, including the John Lennon-penned raver, “I’m the Greatest” (from the 1973 “Ringo” album) and the raunchy early-Beatles fave, “I Wanna Be Your Man.” Ringo also continues to sound like Ringo as he takes the lead on several Beatles hits from the ’60s and solo work from the ’70s, including “It Don’t Come Easy,” “I Get By with a Little Help From My Friends,” “Act Naturally” and “Photograph.” Not that his vocal range was ever operatic, but unlike some other touring rock legends, Ringo continues to find his register. He’s sporting a new, shaggier ‘do these days, and unlike many of the fans at Friday’s concert, his head is a grey-free zone. The former Beatles drummer bounds on stage, rips into several rock ‘n’ roll standards (the two hour-plus set opened with “Matchbox”) and just generally looks and moves like somebody half his age. While he was probably only half-joking, nobody can touch Ringo when it comes to cheating Father Time. “You can’t breathe on me and you can’t touch me.” ”Two rules,” cautioned Ringo Starr, who shows no sign that he will turn 82 in July. Toward the end of Friday night’s first of two sold out shows at Casino Rama, many un-masked fans who were seated way in the back of the 5000-seat auditorium rushed down toward the stage.
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